It took me a bit longer than expected to get the Ostara Tarot, a collaborative deck by Vancouver, B.C. art school friends Molly Applejohn, Eden Cooke, Krista Gibbard & Julia Iredale. It was a classic comedy of errors, but the deck finally arrived. Maybe I was still a little butt-hurt from the months it took to get the deck, but I’m not quite as pleased with it as I thought I would be.
As a fellow Vancouver, B.C. art school grad, I want to like it more than I do, perhaps out of some feeling of camaraderie. But I don’t. Which isn’t to say I don’t like the deck, or will be getting rid of it any time soon. The deck is cohesive. It flows calmly through the fool’s journey, and the overall vibe is one of calm. But a resolute calm, one that stands strong and quiet during the conflict that surrounds. Which makes sense as the deck is named after the vernal equinox which leads cold winter into spring.
The images I most connect to are the animal representations. The human representations in the deck, on the other hand, at time ride that fine line between appreciation and representation, and appropriative stereotypes. It’s also pretty heteronormative. I would connect more to the deck if the humans were left out all together and the Ostara Tarot had just been an animal based deck.
The deck itself is standard tarot deck size. It’s beautifully printed on sturdy weight paper and gloss coated. And it has silver gilded edges. The guidebook and box are high quality as well, and I’ve found the cards physically easy handle. All in all, I’m going to give this deck a chance, and be open to where that road leads. I’m just a little bit disappointed for a deck I was really looking forward working with.